Azimuth 20/2022 | Immersivity. Philosophical Perspectives on Technologically Mediated Experience
Edited by Jacopo Bodini, Alessandro De Cesaris
ISSN (paper): 2282-4863
ISBN (paper): 978-88-5529-346-4
ISBN (e-book): 978-88-5529-347-1
http://digital.casalini.it/9788855293471
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The notion of ‘immersivity’ is a pivotal element in the description of technologically mediated experience, designating an inherent quality of objects, spaces and more generally situations able to produce an impression of immersion. Different from the notion of ‘immersion’ itself – which describes «a process of reception» focusing on sensations and feelings of the subject of experience – «immersivity designates a process of production» (Freitag et alii, 2020). The issue pays a special attention to the conditions of possibility, both material and immaterial, of immersive experiences: technologies, environments, materials, practices, but also theoretical, ideological and political frames. At the same time, it aims at exploring some theoretical questions that are still open in the debate on immersive experience, in the digital environments as well as in other contexts. In order to do so, different and complementary philosophical approaches to the question of immersivity are combined, coming from multiple philosophical disciplines, such as: aesthetics, material and critical historicism coupled with a genealogical approach, philosophical anthropology, phenomenology and post-phenomenology, cognitive science (4E cognition), and deconstructionism.
Contents:
- Preliminary Notes, 10.1400/291452 – http://digital.casalini.it/10.1400/291452
- Alessandro De Cesaris, Immediate Mediality. The Notion of Immersivity beyond Transparency and Illusion | 10.1400/291453 | http://digital.casalini.it/10.1400/291453
- Jacopo Bodini, Immersivité et immédiation. Pourquoi Écho plutôt que Narcisse | 10.1400/291454 | http://digital.casalini.it/10.1400/291454
- Giuseppe Gatti – Francesco Parisi, Getting in, Running out, Living Through. Some Reflections on Immersion and Emersivity | 10.1400/291455 | http://digital.casalini.it/10.1400/291455
- Tommaso Guariento, Immersivity Comes in Degrees of Computational Complexity. Metalepsis, Impossible Worlds, Simulations | 10.1400/291456 | http://digital.casalini.it/10.1400/291456
- Antonella Poli – Anais Bernard – Petrucia da Nobrega – Bernard Andrieu, Métaverser la danse. Une émersivite irradiante | 10.1400/291457 | http://digital.casalini.it/10.1400/291457
- Cinzia Orlando, L’essere del dentro: esplorazioni architettoniche dell’inner space | 10.1400/291458 | http://digital.casalini.it/10.1400/291458
- Francesca Perotto, Immersivity, Individuation and Art | 10.1400/291459 | http://digital.casalini.it/10.1400/291459
- Ekaterina Odé, Les cavernes acousmatiques. L’écart et l’immersivitédans la perspective d’anthropologie des médias | 10.1400/291460 | http://digital.casalini.it/10.1400/291460
- Michele Bertolini, Riflessioni sullo sguardo di genere tra cinema e realtà virtuale. Feminist Studies e Visual Culture Studies a confront | 10.1400/291461 | http://digital.casalini.it/10.1400/291461
- Laura Katharina Mücke – Tom Poljanšek, Co-Immersions. Toward a Political Conception of Immersivity| 10.1400/291462 | http://digital.casalini.it/10.1400/291462
- Andrea Giomi, Immersion as Ideology. A Critical Genealogy of Immersivity in Digital Arts, Aesthetics and Culture | 10.1400/291463 | http://digital.casalini.it/10.1400/291463